Raho Langsepp Raho Langsepp, director of the Tartu Early Music Festival since 1996, has for many years studied the history of bamboo flutes in Asian as well as in medieval European music, leading him to interesting discoveries that he has put into practise as a musician. The history and usage of transverse flute in different cultures was also the theme of his thesis when he took diploma from the Viljandi Cultural Academy of the University of Tartu (2006). Having played different types of flutes before, his main teacher of bamboo flute since 2001 has been Sri Lankan master V. Hemapala Perera. Over the years he has participated in advanced classes taught by such masters as Wilbert Hazelet (baroque flute, the Netherlands), Ranjith Fernando (bamboo flute, Sri Lanka), Dan Laurin (recorder, Sweden) and many others. In addition to being an active musician and music teacher, Raho Langsepp is director of the concert agency Festivitas Artium and the FA Schola Centre for Early and Asian Music; since 2000 he has been President of the Central European Festivals of Early Music Association (CEFEMA).
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Raho Langsepp, director of the Tartu Early Music Festival since 1996, has for many years studied the history of bamboo flutes in Asian as well as in medieval European music, leading him to interesting discoveries that he has put into practise as a musician. The history and usage of transverse flute in different cultures was also the theme of his thesis when he took diploma from the Viljandi Cultural Academy of the University of Tartu (2006). Having played different types of flutes before, his main teacher of bamboo flute since 2001 has been Sri Lankan master V. Hemapala Perera. Over the years he has participated in advanced classes taught by such masters as Wilbert Hazelet (baroque flute, the Netherlands), Ranjith Fernando (bamboo flute, Sri Lanka), Dan Laurin (recorder, Sweden) and many others. In addition to being an active musician and music teacher, Raho Langsepp is director of the concert agency Festivitas Artium and the FA Schola Centre for Early and Asian Music; since 2000 he has been President of the Central European Festivals of Early Music Association (CEFEMA).

